The Swiss psychiatrist, Carl Gustav Jung, straddled an uneasy divide between science and mysticism. One of his most enigmatic texts carries the title ‘Septem Sermones ad Mortuos and Basilides’ (Seven Sermons to the Dead and Basilides). Jungians see in ‘Septem Sermones’ the prefiguration of all of the master’s later work. What strikes me most of all is its nihilism.
Five hundred years ago, the German reformer, Martin Luther, confronted the awesome power of the Roman Church, and discovered that he was free. Not only that, he discovered that every Christian is free, because freedom is what is taught by the Gospel of Jesus Christ. His argument is presented in the Tract, ‘On the Freedom of a Christian’. The following is an attempt by an interested non-specialist, myself, to read this work and consider some of its meaning.
Gomorrah is the title Roberto Saviano chose for his well-known book on the Camorra, the network of criminal organisations that have dominated Naples and Italy’s Campania region for generations. A revelatory choice. Gomorrah and Camorra sound alike. And are alike. The land of the Camorra is a lost place, ruined by greed, hubris, and the vilest excesses. A Biblical place. A place of the damned.
It must be quite a challenge to represent the message of Easter in a painting. Spanish artist Raúl Berzosa, whose ‘Christ Resurrected’ is featured on the new Vatican City 95c postage stamp, tries it with physical beauty. The result, though interesting, fails to convince.
The ‘Our Father,’ the prayer that Jesus taught us, booms around our churches with hearty maleness, bringing the liturgy down an octave or two. The congregation may or may not believe in God, but the men among them, it seems, believe strongly, and viscerally, that God, if He exists, is male.